The bass was separated from the recording, then transcribed using pitch tracking and attack detection, with an independent model as supporting evidence. Pitches, repeated attacks and note lengths still need listening review. Drop C is a practical suggestion from low-C evidence, not a confirmed tuning. Changing fingering preserves the pitches; ↓ means the selected tuning cannot reach a note.

The playhead uses the original note times. Spacing expands around dense notes for readability. Slides, bends, hammer-ons, pull-offs and muting are not explicitly authored. Long notes may be tied across bar lines using parenthesized fret numbers.